Doing art prints

Well, ordering in high quality art prints has so far been hit or miss. I have developed some layouts for printing, but I am waiting until my test orders are completely resolved before doling out too much. At least one of the papers is way too much texture compared to the originals… but that is sort of expected.

While that resolves I have been playing around with printing from home. Since archival inks are easy to get now, it is just the paper which requires some finesse in locating. Certainly putting uncoated paper into the inkjet did not yield results worth sales.

I did happen upon Epson Velvet Fine Art Paper while I was browsing for suggestions online.

91kzJnBNTYL._SL1500_

While not the highest quality (they make a museum line) it has about a 60 year lifespan (compared to 150) with the usual caveats about not placing it in direct sun unprotected. The inks supposedly are good for the same amount of time, so it should work out fine.

The good:

  • There is just enough texture to keep you from feeling it is “computer paper”
  • The paper is a nice bright white
  • It is heavy enough to keep from flopping around
  • It is reasonably priced.

The Bad:

It is nearly impossible to tell what side to print. It says to print on the whiter side, but they are so close that it is impossible to tell them apart. You honestly have to get close enough to see the texture and go for the smoother side. Apparently they used to have their logo on the back, but people objected… well, I hope they enjoy the wasted paper as much as I did when starting with it.

Anyway, if you have something that can print on this rather heavy paper. I can highly recommend it. Hopefully future customers will agree.

-Bill

Another set of eyes. #art

My husband frequently helps me fix pieces and tells me when to move on. He also looks through my book and tells me when to revisit. While I’ve been off my day job I’ve done lots of doodles but kind of viewed them as mostly crap. He pulled out 4 pieces for me to revisit and labeled some changes for me to make. I’ve fixed one of them.
This is red panda eating ice cream.

Shhhhhh, I’m hunting apocalyptic shtuff part 3 #art #copic

Ok, I know there are not really weekend posts around here… but I can’t let that last picture stand… no idea what is up with Laura’s phone… or if she took it through a bottle of scotch… but it looks a heck of a lot better than that. So here is a copy fresh off the scanner.

img20150508_14471559See? Much better. Not too bad for a couple hours of playing around. Now I just have to figure out what colors she is trying to force me to order refill ink in…. šŸ™‚

Shhhhhh, I’m hunting apocalyptic shtuff part 2 #art #copic

I posted the line art of this yesterday.  Then I transfered it to strathmore Bristol vellum 500 series. It’s my general paper of choice when working with copic markers.  Copic markers have such nice deep colors. If you pick three markers with the same first number and the second numbers all about 2 apart it’s an easy way to blend colors and get nice shadows.  I used so much g99 to get that color that at one point the marker nib was white again. I never suspected I’d use so much dark green in my life.